Morning ragas - Bilahari and Malayamarutham


http://www.thehindu.com/features/friday-review/music/morning-ragas/article4791531.ece
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Isai Payanam with Charulatha Mani - Raga Bilahari:


Film Songs in Ragas Bilahari and Malayamarutham:


Also, in "A Raga's Journey":
Full of surprises - Ragas Vasantabhairavi and Begada
Soothing the Senses - Raga Nilambari
A Rare Treat - Raga Saramati
Morning Ragas - Ramapriya and Rishabhapriya
Pious Notes - Ragas Nasikabhushani and Vagadeeshwari
Priya Principle - Ragas Rasikapriya and Ratipatipriya
Versatile Nattai
Positively Tranquil - Raga Harikambhoji
Catchy and Classical - Raga Sankarabharanam
Of Love and Longing - Chandrakauns and Surya
Godly Gowrimanohari
Kedaragowla’s Many Moods
The Royal Durbar
Joy of Hamirkalyani
Power of Three - Ragas Madhyamavati, Brindavanasaranga, Brindavani
Wake up to Valaji
Distinctly Classical - Ragas Gowla and Lalitha
Auspicious Sri
A Complex Beauty - Raga Dwijavanti
Tale of Two Varalis - Ragas Punnagavarali and Kuntalavarali
Morning ragas - Bilahari and Malayamarutham
Endearing Khamas
Light and Melodious - Raga Sindhubhairavi
Harmonious Symmetry - Raga Kiravani
Mood Enhancers - Ragas Kedaram and Bahudari
A Bright Start - Raga Hamsadhwani
Mystical Revathi
Call of the Swan - Raga Hamsanadam
Tones of Grace - Ragas Natakurinji and Kurinji
Notes of Peace - Mukhari
Towering Thodi
Notes that Intrigue - Kapi
Folksy flavours - Senchuruti  and Yadukulakambhoji
Twice as Nice - Dharmavathi and Madhuvanthi
Six-note Splendour of Sriranjani
Heart-warming Tilang
Sivaranjani for Pathos
Two for Joy - Nalinakanthi and Karnaranjani


Comments

  1. SwamiNathanJune 9, 2013 at 5:40 AM

    ""In Konjum Salangai, the viruttam ‘Orumaiyudan’ sung by Sulamangalam Rajalakshmi perhaps best defines Bilahari and it is one of the greatest compositions on the silver screen. The opening phrase itself begins with GPDS and moves towards the signature janta (repeated swaras) prayoga SNRSSNND" "
    Is that acceptable WITH Carnatic music grammar?!... I have heard that Ritigowlai is an exception in which same note comes adjacent to itself like Ni Ni Sa .. a signature sequence for identifying that raga.

    Swaminathan

    ReplyDelete
  2. AnonymousJune 10, 2013 at 9:39 PM

    My name is Maaruthaah Sethilnathan and I am a third year Chemical Engineering student living in New Zealand. I am originally from Sri Lanka but have been living in New Zealand for the past nine years. As most people do, I too love music , especially Carnatic music and I am a HUGE fan of yours! I came across your Isai Payanam videos on your Youtube channels and I just fell in love! Absolutely flawless!

    I have always wanted to learn Carnatic music but the part of New Zealand that I'm living in, does not have any Carnatic music teachers and I'm e-mailing to ask whether you give online vocal music lessons to students from around the world. I have learnt Carnatic music and am competent with the basics.

    Thank you so much for your time and I look forward to hearing from you.

    Yours sincerely,

    Maaruthaah Senthilnathan

    ReplyDelete

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