Valour and Worship - Ragas Arabhi and Devagandhari


http://www.thehindu.com/features/friday-review/music/valour-and-worship/article4609821.ece
Download the PDF

Isai Payanam with Charulatha Mani:


Discussion on Arabhi vs. Devagandhari in 'Sindhu Bhairavi' film:
The Judge (TS Raghavendar) is called out by his chauffeur (Kavithalayaa Krishnan) for humming a phrase mistakenly in Devagandhari, thinking it to be Arabhi. If you have been living under a rock the last four decades, or were too young to have watched this Balachander film, watch it now!






Audio Clips:

Film Songs in Ragas Arabhi, Devagandhari, (some overlap with Sama, Suddhasaveri):



Also, in "A Raga's Journey":
Full of surprises - Ragas Vasantabhairavi and Begada
Soothing the Senses - Raga Nilambari
A Rare Treat - Raga Saramati
Morning Ragas - Ramapriya and Rishabhapriya
Pious Notes - Ragas Nasikabhushani and Vagadeeshwari
Priya Principle - Ragas Rasikapriya and Ratipatipriya
Versatile Nattai
Positively Tranquil - Raga Harikambhoji
Catchy and Classical - Raga Sankarabharanam
Of Love and Longing - Chandrakauns and Surya
Godly Gowrimanohari
Kedaragowla’s Many Moods
The Royal Durbar
Joy of Hamirkalyani
Power of Three - Ragas Madhyamavati, Brindavanasaranga, Brindavani
Wake up to Valaji
Distinctly Classical - Ragas Gowla and Lalitha
Auspicious Sri
A Complex Beauty - Raga Dwijavanti
Tale of Two Varalis - Ragas Punnagavarali and Kuntalavarali
Morning ragas - Bilahari and Malayamarutham
Endearing Khamas
Light and Melodious - Raga Sindhubhairavi
Harmonious Symmetry - Raga Kiravani
Mood Enhancers - Ragas Kedaram and Bahudari
A Bright Start - Raga Hamsadhwani
Mystical Revathi
Call of the Swan - Raga Hamsanadam
Tones of Grace - Ragas Natakurinji and Kurinji
Notes of Peace - Mukhari
Towering Thodi
Notes that Intrigue - Kapi
Folksy flavours - Senchuruti  and Yadukulakambhoji
Twice as Nice - Dharmavathi and Madhuvanthi
Six-note Splendour of Sriranjani
Heart-warming Tilang
Sivaranjani for Pathos
Two for Joy - Nalinakanthi and Karnaranjani

Comments

  1. AnonymousApril 24, 2013 at 8:00 PM

    Brilliant captivated by your excellent description of Ragas, very useful for novice and expert it is a great resurgence of traditional music May god Bless you! with prosperity and a a very long life
    Dr Ravi

    ReplyDelete
  2. Balaji SethuramanMarch 25, 2014 at 10:28 PM

    Namaskaram,

    Wish to highlight that Indru Namadhullamey pongum pudhu vellamey ( Thanga Padhumai ) also is another Arabhi based composition only by tht MSV-TKR in 1959. Can you please explore this song's beauty please.

    ReplyDelete
  3. Dr Charulatha Mani Carnatic vocalist and Playback singerMarch 26, 2014 at 11:52 PM

    "Indru Namadhu ulllame" is a beautiful piece in Arabhi..the phrase "RMPD,P M,GRSND" bringing out the raga's flavour. Thank you for pointing out this song from "Thanga padhumai"..

    ReplyDelete

Post a Comment

Popular posts from this blog

Kannukkul Pothivaippen - Thirumanam Enum Nikkah

Image
My latest movie song, based on ragas Mukhari and Hamirkalyani Movie: Thirumanam Enum Nikkah Starcast: Jai, Nazriya Nazim Director: Anis Composer: Ghibran Singer: Charulatha Mani, Vijay Prakash, Sadhana Sargam, , Dr.R.Ganesh Lyricist: Parvathy Producer: Aascar Ravichandran Banner: Aascar Films Pvt Ltd Label: Think Music Related Content: Notes of Peace - Raga Mukhari Joy of Hamirkalyani Charulatha's Film Songs - YouTube Playlist: Also, in "A Raga's Journey": Atana for Inspiring Valour Full of surprises - Ragas Vasantabhairavi and Begada Soothing the Senses - Raga Nilambari A Rare Treat - Raga Saramati Morning Ragas - Ramapriya and Rishabhapriya Pious Notes - Ragas Nasikabhushani and Vagadeeshwari Priya Principle - Ragas Rasikapriya and Ratipatipriya Versatile Nattai Positively Tranquil - Raga Harikambhoji Catchy and Classical - Raga Sankarabharanam Of Love and Longing - Chandrakauns and Surya Godly Gowrimanohari Kedaragowla’s Many Moods The Royal Durba
Read more

I have to identify it!!!!

Dear Rasika, The wonderful thing about Ragas in the Indian Classical music system is that they are unique, and each one of them have something that is typically only associated with them, that which is irreplaceable. It is easy to fool an average listener in a little game of "Identify the raga" in a post-dinner Carnatic music party, and chuckle as he identifies a Sri raga as a Madhyamavati or a Pharas as a Mayamalavagowla..but how many of us self-confessed aficionados of this great system really have a fool-proof method of unambiguously identifying, each time, every time, the raga correctly? I doubt very many of us do, and this includes the smug critic or the know-it-all mama-mami duo next door. Lets face it - there are many factors that go into identifying a raga - the musical intelligence of the person who is playing or singing in the specimen recording, the level of sophistication of the music system, the extent of deafness of the listener or the lack of it, peer pressur
Read more

A Raga's Journey — Heart-rending Hamsanandi

Image
Read the Article Download the PDF Isai Payanam with Charulatha Mani - Raga Hamsanandi: Audio Clips: Raga Hamsanandi - Isai Payanam Live Concert Excerpt   Pavana Guru - Hamsanandi   Srinivasa - Hamsanandi - Papanasam Sivan   Jaya Durge - Raga Sohini   Film Songs in Raga Hamsanandi:     Also, in "A Raga's Journey": Full of surprises - Ragas Vasantabhairavi and Begada Soothing the Senses - Raga Nilambari A Rare Treat - Raga Saramati Morning Ragas - Ramapriya and Rishabhapriya Pious Notes - Ragas Nasikabhushani and Vagadeeshwari Priya Principle - Ragas Rasikapriya and Ratipatipriya Versatile Nattai Positively Tranquil - Raga Harikambhoji Catchy and Classical - Raga Sankarabharanam Of Love and Longing - Chandrakauns and Surya Godly Gowrimanohari Kedaragowla’s Many Moods The Royal Durbar Joy of Hamirkalyani Power of Three - Ragas Madhyamavati, Brindavanasaranga, Brindavani Wake up to Valaji Distinctly Classical - Ragas Gow
Read more