A Raga's Journey - Six-note Splendour of Sriranjani


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A Brief Guide to Raga Sriranjani:
Click here for the PDF

Isai Payanam - Raga Sriranjani in Carnatic and Film Music:


Film Songs in Raga Sriranjani:


Also, in "A Raga's Journey":
Full of surprises - Ragas Vasantabhairavi and Begada
Soothing the Senses - Raga Nilambari
A Rare Treat - Raga Saramati
Morning Ragas - Ramapriya and Rishabhapriya
Pious Notes - Ragas Nasikabhushani and Vagadeeshwari
Priya Principle - Ragas Rasikapriya and Ratipatipriya
Versatile Nattai
Positively Tranquil - Raga Harikambhoji
Catchy and Classical - Raga Sankarabharanam
Of Love and Longing - Chandrakauns and Surya
Godly Gowrimanohari
Kedaragowla’s Many Moods
The Royal Durbar
Joy of Hamirkalyani
Power of Three - Ragas Madhyamavati, Brindavanasaranga, Brindavani
Wake up to Valaji
Distinctly Classical - Ragas Gowla and Lalitha
Auspicious Sri
A Complex Beauty - Raga Dwijavanti
Tale of Two Varalis - Ragas Punnagavarali and Kuntalavarali
Morning ragas - Bilahari and Malayamarutham
Endearing Khamas
Light and Melodious - Raga Sindhubhairavi
Harmonious Symmetry - Raga Kiravani
Mood Enhancers - Ragas Kedaram and Bahudari
A Bright Start - Raga Hamsadhwani
Mystical Revathi
Call of the Swan - Raga Hamsanadam
Tones of Grace - Ragas Natakurinji and Kurinji
Notes of Peace - Mukhari
Towering Thodi
Notes that Intrigue - Kapi
Folksy flavours - Senchuruti  and Yadukulakambhoji
Twice as Nice - Dharmavathi and Madhuvanthi
Six-note Splendour of Sriranjani
Heart-warming Tilang
Sivaranjani for Pathos
Two for Joy - Nalinakanthi and Karnaranjani

Comments

  1. UnknownOctober 27, 2012 at 10:28 PM

    Vaasaki Vaasaki from Arasiyal by Vidyasagar seems to be in Sriranjani - youtube.com/watch?v=yGPyuz6hqNI

    And the interesting thing about Naadha Vinodhangal is that in the charanams, it switches to Vasantha which employs the notes S r G m D N S without the Pa

    ReplyDelete
  2. AnonymousOctober 28, 2012 at 7:43 PM

    Charu madam,

    I read your sriranjani raga analysis in this week metroplus saturday issue. The usage the untrained ears was technically applied to your myth of sriranjani notes nearer to abogi. Like I said of kalyani - lathangi, here also what was felt in me was beautifully highlighted in your essay. tnks in advance I again refer to banduvarali and poorvikalyani with the same confusions. As you say, when the ears become properly trained again and again all these doubts will vanish. thank you,

    K.PADMANABAN

    ReplyDelete
  3. AnonymousOctober 29, 2012 at 8:10 AM

    I am a regular reader of your A raga's journey. Since your write-up is featured in The Hindu, Hyderabad edition also, I request you to enlarge the scope of your article to include References to Telugu
    film songs also wherever it fits in with reference to a particular raga in order to have more reach to your writtings..
    Regards. narayanan

    ReplyDelete
  4. AnonymousOctober 31, 2012 at 3:03 AM

    Best wishes and greetings,
    Thank you very much for posting the video clips of this excellent
    fusion concert. May god bless you to come out with many more such
    innovative concerts

    with regards
    swaminathan.j

    ReplyDelete
  5. AnonymousOctober 31, 2012 at 10:06 AM

    Hi madam .
    Saw the clipping of the program ... Enjoyed fusion .. Really good show ... hope to see good ones like this sooner ....
    Dr.M.Rajasekaran

    ReplyDelete

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