Had an awesome vacation at Oslo and Geiranger in Norway with my husband. Thanks to my Norwegian friends Nalayani and Mohan for making our trip most enjoyable!
Madam, I had attended your concert last Friday and you’ve rendered full justice to the Audience rendering popular tamil kiruthis. I have been an ardent admirer of the feature “Musical journey” published in The Hindu every fortnight. It was very interesting. I have a few doubts regarding ragas in film music. I have been scratching my head about The raga ‘Kathiruppan kamalakannan’. But I was really surprised when you have mentioned As Saramathi. If I remember correct, the swaras are rendered in fast pace (which I feel it is rather uncommon in Saramathi). I want to clarify whether the full song is in Saramathi or in different ragas. Kindly let me know the various ragas. In one of the music reviews in Vikatan, Mr Veeyesvi has written about your concert. It seems in one of the concert, you have casually mentioned that “Pen onru kanden” is in Brindavana Saranga (correct?) In one particular phase, the tune very much Resembled “Sri Rangapura Vihara”. But your view that “Chelai kattiya pennuku” is in Sriraga, has confused me. I would be much obliged as to how you have started identifying ragas in film Music. I would also like to mention your experience in in film field. I have a lingering Doubt for a long time. Whether the raga be decided by music Director before The lyrics are written? Or the raga comes accidentally? I would be much obliged if you can reply early. I am sorry for the inconvenience caused to you. Incidentally, I wish to state that I am a writer in Tamil writing in the pseudo name “Vadoolan”. Thanking you, Lakshmanan (Vadoolan)
My latest movie song, based on ragas Mukhari and Hamirkalyani Movie: Thirumanam Enum Nikkah Starcast: Jai, Nazriya Nazim Director: Anis Composer: Ghibran Singer: Charulatha Mani, Vijay Prakash, Sadhana Sargam, , Dr.R.Ganesh Lyricist: Parvathy Producer: Aascar Ravichandran Banner: Aascar Films Pvt Ltd Label: Think Music Related Content: Notes of Peace - Raga Mukhari Joy of Hamirkalyani Charulatha's Film Songs - YouTube Playlist: Also, in "A Raga's Journey": Atana for Inspiring Valour Full of surprises - Ragas Vasantabhairavi and Begada Soothing the Senses - Raga Nilambari A Rare Treat - Raga Saramati Morning Ragas - Ramapriya and Rishabhapriya Pious Notes - Ragas Nasikabhushani and Vagadeeshwari Priya Principle - Ragas Rasikapriya and Ratipatipriya Versatile Nattai Positively Tranquil - Raga Harikambhoji Catchy and Classical - Raga Sankarabharanam Of Love and Longing - Chandrakauns and Surya Godly Gowrimanohari Kedaragowla’s Many Moods The Royal Durba...
Dear Rasika, The wonderful thing about Ragas in the Indian Classical music system is that they are unique, and each one of them have something that is typically only associated with them, that which is irreplaceable. It is easy to fool an average listener in a little game of "Identify the raga" in a post-dinner Carnatic music party, and chuckle as he identifies a Sri raga as a Madhyamavati or a Pharas as a Mayamalavagowla..but how many of us self-confessed aficionados of this great system really have a fool-proof method of unambiguously identifying, each time, every time, the raga correctly? I doubt very many of us do, and this includes the smug critic or the know-it-all mama-mami duo next door. Lets face it - there are many factors that go into identifying a raga - the musical intelligence of the person who is playing or singing in the specimen recording, the level of sophistication of the music system, the extent of deafness of the listener or the lack of it, peer pressur...
Creating this recording and the video was a spiritual experience for me. Raga Bhairavi has magical powers and envelopes the soul. This kriti "Amba Kamakshi" was composed on the goddess at Kanchi "Kamakshi" by the great Shyama Sastri. This kriti is a call of the child's soul to the divine mother "Amba". Each and every person can relate to this call to the divine, this I truly believe. I dedicate this video and kriti to Kanchi Kamakshi Ambal, Sri Mahaperiyava and Shyama Sastri. I also recall with fond love my guru Late Smt Savitri Saytamurthy who painstakingly taught me this piece "Amba Kamakshi" and many other precious gems in music. More on Raga Bhairavi: Raga Bhairavi - SoundCloud Playlist: https://soundcloud.com/charulathamani/sets/raga-bhairavi A Raga's Journey - Bewitching Bhairavi: http://charulathamani.blogspot.in/2012/07/ragas-journey-bewitching-bhairavi.html
Madam,
ReplyDeleteI had attended your concert last Friday and you’ve rendered full justice to the
Audience rendering popular tamil kiruthis.
I have been an ardent admirer of the feature “Musical journey” published in
The Hindu every fortnight. It was very interesting.
I have a few doubts regarding ragas in film music. I have been scratching my head about
The raga ‘Kathiruppan kamalakannan’. But I was really surprised when you have mentioned
As Saramathi. If I remember correct, the swaras are rendered in fast pace (which
I feel it is rather uncommon in Saramathi). I want to clarify whether the full song is in
Saramathi or in different ragas. Kindly let me know the various ragas.
In one of the music reviews in Vikatan, Mr Veeyesvi has written about your concert.
It seems in one of the concert, you have casually mentioned that “Pen onru kanden”
is in Brindavana Saranga (correct?) In one particular phase, the tune very much
Resembled “Sri Rangapura Vihara”.
But your view that “Chelai kattiya pennuku” is in Sriraga, has confused me.
I would be much obliged as to how you have started identifying ragas in film
Music. I would also like to mention your experience in in film field. I have a lingering
Doubt for a long time. Whether the raga be decided by music Director before
The lyrics are written? Or the raga comes accidentally?
I would be much obliged if you can reply early. I am sorry for the inconvenience caused to you.
Incidentally, I wish to state that I am a writer in Tamil writing in the pseudo name
“Vadoolan”.
Thanking you,
Lakshmanan (Vadoolan)
Madam please explain raga bindumalini
ReplyDeletePlease explain raga bindumalini with tyagaraja kruti entamuudo entasogaso, I searched in your isaipayanam I could not find
ReplyDeletePlease see: https://www.youtube.com/watch?v=rsZISffx54s
Delete