Grammys 2026 Confirmed Entries and Listening Links

Pleased to share my confirmed entries for Grammys2026.

For your consideration and listening pleasure:

Livin' my Life: Spotify / Apple Music / YouTube (BEST DANCE ELECTRONIC + SONG of YEAR)

Lift my Light: Spotify /Apple Music / YouTube (BEST GLOBAL PERFORMANCE)

Ashirvad: Spotify / Apple Music (BEST GLOBAL PERFORMANCE + SONG of YEAR)

Goodbye: Spotify / Apple Music (BEST DANCE POP)







Comments

Post a Comment

Popular posts from this blog

Kannukkul Pothivaippen - Thirumanam Enum Nikkah

Image
My latest movie song, based on ragas Mukhari and Hamirkalyani Movie: Thirumanam Enum Nikkah Starcast: Jai, Nazriya Nazim Director: Anis Composer: Ghibran Singer: Charulatha Mani, Vijay Prakash, Sadhana Sargam, , Dr.R.Ganesh Lyricist: Parvathy Producer: Aascar Ravichandran Banner: Aascar Films Pvt Ltd Label: Think Music Related Content: Notes of Peace - Raga Mukhari Joy of Hamirkalyani Charulatha's Film Songs - YouTube Playlist: Also, in "A Raga's Journey": Atana for Inspiring Valour Full of surprises - Ragas Vasantabhairavi and Begada Soothing the Senses - Raga Nilambari A Rare Treat - Raga Saramati Morning Ragas - Ramapriya and Rishabhapriya Pious Notes - Ragas Nasikabhushani and Vagadeeshwari Priya Principle - Ragas Rasikapriya and Ratipatipriya Versatile Nattai Positively Tranquil - Raga Harikambhoji Catchy and Classical - Raga Sankarabharanam Of Love and Longing - Chandrakauns and Surya Godly Gowrimanohari Kedaragowla’s Many Moods The Royal Durba...
Read more

'Vaidehi Kathirunthal' - 40th Anniversary

Image
Vaidehi Kathirunthal is a 1984 film written and directed by R. Sundarrajan, starring Vijayakanth and Revathi. The story was developed based on songs that Ilaiyaraaja had composed earlier. Released on 23 October 1984, it became a commercial success and emerged a breakthrough in 'Captain' Vijayakanth's career. The film is memorable to this day for its evergreen raga-based music by the maestro Ilaiyaraja. Abhogi ragam: T he evergreen classic ' Indraikku en indha anandame ' is an example of how a classical raga may be adapted to silver screen seamlessly and uncompromisingly. This composition of Ilayaraja is set in tisra nadai, the beat progressing in threes, making for lively listening. The singers Vani Jayaram and Jayachandran, both classically adept, cleverly navigate through the sangatis in “kanavugalin suyamvaramo”, gently swaying the Gandhara towards Madhyama and back.       Chandrakauns ragam: Ilaiyaraaja has explored this raga to its fullest in ‘ Azhagu Malar ...
Read more

I have to identify it!!!!

Dear Rasika, The wonderful thing about Ragas in the Indian Classical music system is that they are unique, and each one of them have something that is typically only associated with them, that which is irreplaceable. It is easy to fool an average listener in a little game of "Identify the raga" in a post-dinner Carnatic music party, and chuckle as he identifies a Sri raga as a Madhyamavati or a Pharas as a Mayamalavagowla..but how many of us self-confessed aficionados of this great system really have a fool-proof method of unambiguously identifying, each time, every time, the raga correctly? I doubt very many of us do, and this includes the smug critic or the know-it-all mama-mami duo next door. Lets face it - there are many factors that go into identifying a raga - the musical intelligence of the person who is playing or singing in the specimen recording, the level of sophistication of the music system, the extent of deafness of the listener or the lack of it, peer pressur...
Read more