Parthasarathy Swami Sabha Concert

Charulatha Mani - Carnatic Vocal
Sri Parthasarathy Swami Sabha , 26th December 2010
B. Anantakrishnan - Violin
Tillaistanam Suryanarayanan - Mridangam
Morsing - Sundar


MP3 Excerpts:

Bhajamanasa - Bahudari
Pariyachakama - Vanaspati
Ramaikanannu - Sahana
O Jagadamba - Anandabhairavi
Arulavendum - Saramati
Kamakshi - Varali
Bhaktajanavatsale - Abhang
Viruttam & Thillana - Sindhubhairavi
Yehigatu -Abhang

Comments

  1. webmasterDecember 27, 2010 at 8:38 PM

    Your performance was excellent at the Padma Sarangapani Hall. Best wishes for New Year

    sasi raj

    ReplyDelete
  2. ChandranDecember 28, 2010 at 5:32 PM

    This comment has been removed by the author.

    ReplyDelete
  3. ChandranDecember 28, 2010 at 5:47 PM

    Thank you for rewarding my patience by posting excerpts from Parthasarathy Swami Sabha Concert. Both of the main vocals over Kamakshi are excellent. Liked the explanation of O jagadamba - something only few artists make an effort of. I do understand you have to wrap the explanation quickly due to time constraints. Surely Saraswathi did put the Veena down again while listening to your concert :)) - I did played it few times to rejoice the note’s falling in their places. Do appreciate your Anandabhairavi, Naatai, Sahana, Hamsadhwani, Reethigowla, Saramathi, Varali(s) and other ragas presentation from previous concert - as equally as your favourite Kaapi (no offence). Violinist Ananthakrishnan played well too – do recall his name from some other concerts. Thanks again!

    ReplyDelete
  4. D.RangarajanJanuary 14, 2011 at 7:38 PM

    happy new year.
    Iam not well versed in carnatic music. Only few singers touched my heart. There are only three, amongst you are one. Your melodius voice and raga explanations really takes me to the divine's feet.
    Let lord Krishna bless you with long life, good health and peaceful life to serve the society.
    D. Rangarajan
    Adambakkam

    ReplyDelete

Post a Comment

Popular posts from this blog

Kannukkul Pothivaippen - Thirumanam Enum Nikkah

My latest movie song, based on ragas Mukhari and Hamirkalyani Movie: Thirumanam Enum Nikkah Starcast: Jai, Nazriya Nazim Director: Anis Composer: Ghibran Singer: Charulatha Mani, Vijay Prakash, Sadhana Sargam, , Dr.R.Ganesh Lyricist: Parvathy Producer: Aascar Ravichandran Banner: Aascar Films Pvt Ltd Label: Think Music Related Content: Notes of Peace - Raga Mukhari Joy of Hamirkalyani Also, in "A Raga's Journey": Atana for Inspiring Valour Full of surprises - Ragas Vasantabhairavi and Begada Soothing the Senses - Raga Nilambari A Rare Treat - Raga Saramati Morning Ragas - Ramapriya and Rishabhapriya Pious Notes - Ragas Nasikabhushani and Vagadeeshwari Priya Principle - Ragas Rasikapriya and Ratipatipriya Versatile Nattai Positively Tranquil - Raga Harikambhoji Catchy and Classical - Raga Sankarabharanam Of Love and Longing - Chandrakauns and Surya Godly Gowrimanohari Kedaragowla’s Many Moods The Royal Durbar Joy of Hamirkalyani Power of Three - Ragas Mad
Read more

A Raga's Journey — Heart-rending Hamsanandi

Image
Read the Article Download the PDF Isai Payanam with Charulatha Mani - Raga Hamsanandi: Audio Clips: Raga Hamsanandi - Isai Payanam Live Concert Excerpt   Pavana Guru - Hamsanandi   Srinivasa - Hamsanandi - Papanasam Sivan   Jaya Durge - Raga Sohini   Film Songs in Raga Hamsanandi: Also, in "A Raga's Journey": Full of surprises - Ragas Vasantabhairavi and Begada Soothing the Senses - Raga Nilambari A Rare Treat - Raga Saramati Morning Ragas - Ramapriya and Rishabhapriya Pious Notes - Ragas Nasikabhushani and Vagadeeshwari Priya Principle - Ragas Rasikapriya and Ratipatipriya Versatile Nattai Positively Tranquil - Raga Harikambhoji Catchy and Classical - Raga Sankarabharanam Of Love and Longing - Chandrakauns and Surya Godly Gowrimanohari Kedaragowla’s Many Moods The Royal Durbar Joy of Hamirkalyani Power of Three - Ragas Madhyamavati, Brindavanasaranga, Brindavani Wake up to Valaji Distinctly Classical - Ragas Gowla
Read more

I have to identify it!!!!

Dear Rasika, The wonderful thing about Ragas in the Indian Classical music system is that they are unique, and each one of them have something that is typically only associated with them, that which is irreplaceable. It is easy to fool an average listener in a little game of "Identify the raga" in a post-dinner Carnatic music party, and chuckle as he identifies a Sri raga as a Madhyamavati or a Pharas as a Mayamalavagowla..but how many of us self-confessed aficionados of this great system really have a fool-proof method of unambiguously identifying, each time, every time, the raga correctly? I doubt very many of us do, and this includes the smug critic or the know-it-all mama-mami duo next door. Lets face it - there are many factors that go into identifying a raga - the musical intelligence of the person who is playing or singing in the specimen recording, the level of sophistication of the music system, the extent of deafness of the listener or the lack of it, peer pressur
Read more